Futre Pinheiro, M.P., “Humour Strategies in the Ancient Novel,” Laughter Down the Centuries, ed., S. Jäkel, vol. 3 (Turku: Turun Yliopisto, 1997) 81-97.

Holzberg, N., Powieść Antyczna (Kraków: Homini, 2003).  Polish translation of N. Holzberg, Der antike Roman: eine Einführung (Düsseldorf: Artemic und Winkler, 2001).

Holzberg, N., Anticni Roman (Ljubljana 2005).  Slovenian translation of Der antike Roman, which will appear in its third German edition from the Wissenschaftliche Buchgesellschaft.

Nimis, S., “Oral and Written Forms of Closure in the Ancient Novel,” in Oral Performance and its Context, ed., C. Mackie (Leiden: Brill, 2004) 179-194.

Zimmerman, M., van der Paardt, R., Metamorphic Reflections: Essays Presented to Ben Hijmans at his 75^th Birthday (Leuven: Peeters, 2004).

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Billault, A., “La source grecque du romanesque,” in Le romanesque, eds., G. Declercq, M. Murat (Paris: Presses Sorbonne Nouvelle, 2004) 13-26.

Borgogno, A., “Contributi per un’edizione degli Ephesiaca di Senofonte Efesio,” InvLuc 25 (2003) 31-47.

Brethes, R., “Pour une typologie du rire dans les romans grecs: topos littéraire, jeu narratologique et nouvelle lecture du monde,” BAGB (2003) 113-129.

Byrne, S., Cueva, E., eds., Longus’ Daphnis and Chloe.  Introduction, Greek Text, Notes, Running Vocabulary (Wauconda, Illinois: Bolchazy-Carducci, 2005) xvi + 350 pp.  ISBN 0-86516-593-9 (paperback).

Cueva, Edmund, The Myths of Fiction: Studies in the Canonical Greek Novels (Ann Arbor: University of Michigan, 2004) 154 pp.

Guez, J.P., Du code á l’écriture.  Les conventions romanesques et leur utilization par Chariton, Xénophon d’Ephèse et Achille Tatius.  (Dissertation, Paris 2001).

Hägg, T., Utas, B., The Virgin and her Lover.  Fragments of an Ancient Greek Novel and a Persian Epic Poem (Leiden: Brill, 2003).  Reviewed by Niklas Holzberg in AN 4 (2004) in German, the language everyone understands.

Herrenschmidt, C.,  “Callirhoé et Chariclée héroines monétaires?  Une proposition à propos de Chéréas et Callirhoé de Chariton et des Éthiopiques d’Héliodore,” in Forme di communicazione nel mondo antico et metamorfosi del mito: dal teatro al romanzo, eds., M. Guglielmo and E. Bona (Alessandria: Edizioni dell’Orso, 2003) 215-233.

Kortekaas, G., ed., The Story of Apollonius King of Tyre.  A Study of its Greek Origins and an Edition of the Two Oldest Latin Recensions (Leiden: Brill, 2004).  ISBN 90-04-13923-0.

Liatsi, M., “Zur Theorie der Traumfunktion bei Achilleus Tatios (Leukippe und Kleitophon: 13.2-3),” Hermes 131 (2003) 372-379.

Liatsi, M., “Die Träume des Habrokomes bei Xenophon of Ephesus,” RhM 147 (2004) 151-171.

Liviabella Furiani, P., “L’occhio e l’orecchio nel romanzo greco d’amore: note sull’esperienza del bello nelle Etiopiche di Eliodoro,” in Studi di filologia e tradizione greca in memoria di Aristide Colonna, eds., F. Benedetti, S. Grandolini (Naples: Edizioni Scientifiche Italiane, 2003) 417-441.

Morales, H., Vision and Narrative in Achilles Tatius’ Leucippe and Clitophon (Cambridge: Cambridge University Press, 2004).  ISBN 0-521-642647.  Announcement in CUP Catalogue.

Nimis, S., “Egypt in Greco-Roman History and Fiction,” Journal of Comparative Poetics 24 (2004) 34-67.

Porter, J.R., “Chariton and Lysias I: Further Considerations,” Hermes 131 (2003), 433-440.

Reardon, B.P., ed., Chariton Aphrodisiensis, de Callirhoe Narrationes Amatoriae (Munich and Leipzig: Saur, 2004) [olim Leipzig: Teubner, 2004].  xxii + 150 pp.  ISBN 3-598-71277-4.

Reardon, B.P., “Variation on a Theme: Reflections on Xenophon of Ephesus,” in EГΚΥΚΛΙΟΝ KHΠΙΟV (Rundgärtchen): Zu Poesie, Historie und Fachliteratur der Antike, ed., M. Janka.  [Festschrift for Hans Gärtner’s 70^th birthday]. (Munich: Saur, 2004) 183-193. 

Roncali, R., “Su due varianti del papiro Fayum 1 di Caritone,” Bollettino dei Classici 20 (1999) 37-44.

Roncali, R., Due nuovi testimoni per Caritone (Bari 2002).

Ruiz-Montero, C., “El retrato de Esopo en la Vita Aesopi y sus precedentes literarios,” in    Lógos Hellenikós.  Homenaje al Profesor Gaspar Morocho Gayo, ed., J.M. Nieto (León, 2003) 411-422.

Ruiz-Montero, C., “El mito en Caritón de Afrodisias y Jenofonte de Éfeso,” in Mitos en la literatura griega helenίstica e imperial, ed., J.A. López Férez (Madrid: Ediciones Clásicos, 2003) 345-359.  (written in 1995).

Ruiz-Montero, C., “Text and Context in Plutarch’s Amatoriae Narrationes and Xenophon of Ephesus’s Ephesiaca,”  InvLuc 25 (2003) 221-233.

Scourfield, J.H.D., “Anger and Gender in Chariton’s Chaereas and Callirhoe,” in Ancient Anger.  Perspectives from Homer to Galen,” eds., S. Braund and G.W. Most (Cambridge: Cambridge University Press, 2003) 163-184.

Smith, S., Discourses of Identity and Freedom: Representations of Athens in Chariton (Dissertation, Boston University, 2004).

Trzaskoma, S., “Wilamowitz and the Greek Novel,” in Wilamowitz und kein Ende, ed., M. Mülke.  Spudasmata Bd. 92 (Hildesheim 2003) 245-261.

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Alvarez, J., “Apuleyo  Met. X 33. 1-3: observaciones sobre el tema del proceso y la muerte de Sócrates.” Polis 11 (1999) 35-52.  [resumé in English]

Bauzá, H.F., “Petronio el Satiricón: Una Mirada Transversal al Mundo Romano” in Semanas de Estudios Romanos (Universidad Católica de Valparaiso) 2 (2002) 103-113.

Beck, R., “Lucius and the Sundial:  a Hidden Chronotopic Template in Metamorphoses 11,” in Metaphoric Reflections:  Essays Presented to Ben Hijmans at his 75^th Birthday, eds., M. Zimmerman, R. Van der Paardt (Leuven: Peeters, 2004) 309-317.

Bodel, J., “Captatio at Croton:  Petronius and Horace,” in O Qui Complexus et Gaudia Quanta Fuerunt: Essays Presented to Michael C.J. Putnam by his Brown Colleagues on the Occasion of his 70^th Birthday (Providence 2003) 1-15.

Bodel, J., “Omnia in nummis.  Money and the Monetary Economy in Petronius,” in Moneta Mercanti Banchieri: I precedenti greci e romani dell’Euro, ed., G. Urso (Pisa: Edizioni ETS, 2003) 271-282.

Cahiers des Études Anciennes 40 (2003), “La Matrone d’Éphèse, Histoire d’un conte mythique.”  Colloque international 25-26 janvier 2002 en Sorbonne, Vol. 2.  Eight papers on the Satyrica.

Casale, G., “La Capua di Donato e di Petronio,” A&R 47 (2002) 154-156.

Chandler, C., “First Impressions:  Eschatological Allusion in Petronius, Satyrica 28-29,” abstract in AClass 46 (2003).

Champlin, E., Nero (Harvard 2003) 197 and note 51 on pp. 324-325 agrees with Baldwin, “Petronius and the Fire of Rome,” Maia 28 (1976) 35-36 = Studies on Greek and Roman History and Literature (Amsterdam 1985) 147-148, that Satyrica 53 refers to the conflagration of AD 64 in Rome, and hence it is a dating clue.

Dowden, K., “Getting the Measure of Apuleius’ Metamorphoses,” in Metamorphic Reflections:  Essays Presented to Ben Hijmans at his 75^th Birthday, eds., M. Zimmerman, R. Van der Paardt (Leuven: Peeters, 2004) 279-295.

Dunbabin, K., The Roman Banquet:  Images of Conviviality (Cambridge: Cambridge University Press, 2003).

Finkelpearl, E., “The End of the Metamorphoses: Apuleius Met. 11.26.4-11.30,” in Metamorphic Reflections:  Essays Presented to Ben Hijmans at his 75^th Birthday, eds. M. Zimmerman, R. van der Paardt (Leuven: Peeters, 2004) 319-341.

Gaertner, J.F., “Sprachbau und Sprachfreiheit in Petrons Satyrica” in Freedom and its Limits in the Ancient World.  Proceedings of a Colloquium Held at the Jagiellonian University Kraków, September 2003, eds. D. Brodka, J. Janik, S. Sprawski (Kraków: Wydawnictwo Uniwersytetu Jagielloñskiego, 2003) 121-141.

Garbugino, G., Enigmi dell Historia Apollonii Regis Tyri (Bologna: Pàtron, 2004) 204 pp. ISBN 88-555-2779-7.

Giardina, Giancarlo, Contributi di critica testuale: da Catullo alla Historia Augusta (Rome:  Herder, 2003).  A collection of previous published articles, nine of which are on the Text of Petronius: (1) “Note a Petronio,” MCr 5-7 (1970-72) 178-187 [111-124]; (2) “Note a Petronio,” MCr 8-9 (1973-74) 210-213 [125-130]; (3)  “Note a Petronio,” MCr 13-14 (1978-79) 387-388 [131-133];  (4) “Note a Petronio,” MCr 18 (1983) 243 [135-136];  (5) “Note a Petronio,” MCr 21-22 (1986-87) 389-393 [137-142]; (6)  “Minima Petroniana,” MCr 23-24 (1988-89) 323-325 [143-146];  (7)  “Note a Petronio,” MCr 25-28 (1990-93) 335-336 [147-148]; (8)  “Petroniana,” MCr 30-31 (1995-96) 267-272 [149-157];  (9) “Petroniana,” MCr 32-35 (1997-2000) 187-190 [160-163].

Griton, N., Leroux, V., “Lectures récentes du récit de Pétrone (100.6-112.5),” CEA 40 (2003) 71-80.

Hobohm, R., “Petron – ein Autor schon für jüngere Schüler?  Der Roman als Lektüregegenstand der 11.  Jahrgangsstufe,” in Bildung ohne Verfallsdatum.  Auxilia Unterrichtshilfen für den Lateinlehrer  (Bamberg: C.C. Buchners Verlag, 2003) 144-158.           

Hübner, W., “‘De Sénèque à Pétrone”: Uses of syncrisis in Europe from the 16^th to the 18^th Century,” CML 24 (2004) 39-60.  Excellent study of the influence of Petronius and the Satyrica.

Jensson, G., The Recollections of Encolpius.  The Satyrica of Petronius as Milesian Fiction.  Ancient Narrative, Supplementum 2 (Groningen: Barkhuis Publishing and Groningen University Library, 2004).  xii + 329 pp. ISBN 90 807390 81.

Jones, F.M.A., “Petronian Images”: rev. of V. Rimell, Petronius and the Anatomy of Fiction (Cambridge 2002) in CR 54 (2004) 403-405.

Keulen, W., Apuleius Madaurensis Metamorphoses.  Book 1.1-20.  Introduction Text, Commentary (Groningen: University of Groningen, 2003).

Keulen, W., “Comic Invention and Superstitious Frenzy in Apuleius’ Metamorphoses: the figure of Socrates as an Icon of Satirical Self Exposure”  AJP 124 (2003) 107-135.

Kritzinger, J., “‘non negabitis me’ inquit ‘habere liberum patrem:’ Petronius, Sat. 41.8 Revisited,”  AClass 46 (2003) 111-118.  (Baldwin).

Lago, P., “Petronio e Petrolio: una rilettura contemporanea del Satyricon,” Maia 56 (2004) 299-330.

Lucarini, C., “Insularius (Petron. Sat. 95),” MD 51 (2003) 245-252.

Möllendorff, P. von, “Im Grenzland der literarischen Satire: Apuleius’ Metamorphosen,” in Alte Texte-neue Wege (München: Bayerischer Schulbuchverlag, 2004) 45-72.

Müller, K., ed., Petronius Satyricon Reliquiae (Munich/Leipzig: Saur, 2003).  Editio iterata correctior editionis quartae (MCMXCV).  [This edition is called the Fifth Edition in Sauer advertizing.]  ISBN 3-59871257-X.  For this edition Müller added to the 1995 edition Testimonia Antiquissima (XXX-XXXI); Testimonia … per medium aevum 2a Reposianus; 18a insert about Colker is now part of the text (XLI); Addenda, 6 items (p. 196).  It is sad to see the name of Teubner disappear as a publisher of Classical texts.

Müller, K., ed., Ehlers, W., trans., Satyrica: Schelmenszenen (Düsseldorf/Zürich: Patmos Verlag, Artemis & Winkler Verlag, 2004).  ISBN 3-7608-1572-3.  5. Auflage 2004.  This text is identical to 4. Auflage 1995 (even though Müller published two critical editions in the Teubner series in 1995 and 2003) except that Niklas Holzberg who contributed a bibliography and review of published material 1965-1995 (pp. 544-560) has again updated the bibliography to 1965-2003 on pp. 544-599.

Murgatroyd, P., “The Ending of Apuleius’ Metamorphoses,”  CQ 54 (2004) 319-321.

Naiden, F., “Embola Petroniana,” CQ 53 (2003) 637-639.

Obermayer, H.P., “Impotenz des Helden – Potenz des Erzählers: Die Interextualität sexuellen Versagens in Petrons Satyrica,” in Gender Studies in den Altertumswissen-schaften.  Rollenkonstrukte in antiken Texten, eds., T. Fuhrer, S. Zinsli (Trier: Wissenschaftlicher Verlag Trier, 2003) 57-92.

O’Brien, M., “Thelyphron the ‘Weak-minded’ or What’s in a name?,” in Metamorphic Reflections: Essays Presented to Ben Hijamans at his 75^th Birthday, eds., M. Zimmerman, R. van der Paardt (Leuven: Peeters, 2004) 161-173.

Paardt, R. van der, “Four Portraits of Actaeon,” in Metamorphic Reflections: Essays Presented to Ben Hijamans at his 75^th Birthday, eds., M. Zimmerman, R. van der Paardt (Leuven: Peeters, 2004) 21-39.  Some comments on Apuleius.

Radif, L., “Il banchetto del sazio: il mondo sub specie epularum dell’ Arbitro,”  Maia 50 (2003) 523-536.

Rango, T., “Il bucinator di Trimalchione (Satyr. 26, 9),” Aufidus 49 (2003) 61-97.

Setaioli, A.,  “I due ‘epigrammi’ di Trimalchione (Petr. Sat. 34.10, 55.3),”  Prometheus 30 (2004) 43-66.

Setaioli, A.,  “Le due poesie in sotadei di Petronio,” Cuadernos di Filologiá Clasica.  Estudios Latinos 23 (2003) 89-106.

Sommariva, Grazia, Petronio nell’Anthologia Latina.  Parte I.  I carmi parodici della poesia didascalica (Sarzana: Agora Edizioni, 2004).

Watson, L., “Making Water Not Love: Apuleius Metamorphoses 1.13-14,” CQ 54 (2004) 651-655.

Wolff, É., “La Cena Trimalchionis: au delà des apparences,”  in Symposium Banquet et Représentations en Grèce et  à Rome.  Colloque international Université de Toulouse – Le Mirail, mars 2002 (Toulouses: Presses Universitaires du Mirail, 2003) 341-348.

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Recent Scholarship on the Ancient Novel and Early Jewish and Christian Narrative

Ronald F. Hock 
University of Southern California

Scholarship emphasizing the value of reading early Jewish and Christian narrative in the light of ancient novels continues apace, with concentrated work in this area being done by the Ancient Fiction and Early Jewish and Christian Narrative Section of the Society of Biblical Literature (SBL), headed by classicist Judith Perkins of St. Joseph College and New Testament scholar Jo-Ann Brant of Goshen College. The nomenclature of Section (rather than its previous designation as a Group) means that this approach to Jewish and Christian narrative is now a permanent part of the SBL's annual program. The program of this Section at the SBL's 2004 annual meeting last November in San Antonio, TX, consisted of two sessions. The first session explored the theme "Social Reality and Ancient Narratives" through five papers:

• "The Mythical Map: Aeneas, Paul, and the Pirates of Penzance," by Chris Shea 
• "Court or Jester Tales? Resistance and Social Reality in Daniel 1-6," by David Valeta 
• "Royal Sympathizers in Jewish Narrative," by Terrence L. Donaldson 
• "Position Yourself: Examinations of Mary in the Protevangelium of James," by Christopher Frilingos 
• "The Social Context of the Matthean Chorus," by Robert Cousland

The second session focused on the theme "Characterization and Religion in Ancient Narrative" through four papers:

• "Hebrew and Greek Characterization of Queen Esther: Background and Foreground Analyzed," 
• Esther Marie Menn "Witless in Your Own Cause: Plots and Fractured Characters in the Life of Aesop and the Gospel of Mark," by Scott S. Elliott 
• "The Romance of Abraham and Sarah: Novelistic Features in the Apocryphon of Genesis," by Derek S. Dodson 
• "Laying the Ghost of Merkelbach to Rest? Ancient Fiction, Religion, and Theory of Fiction," by Gerhard van den Heever.

Plans are underway for the Section's program at the 2005 SBL annual meeting, to be held in Philadelphia, PA, November 19-22. One session will be open to papers on any topic, whereas the second will focus on fiction and identity which will be done through a panel discussion of Christine Thomas' book, The Acts of Peter, Gospel Literature, and the Ancient Novel (Oxford University Press, 2003) as well as through three invited papers.

The second volume of papers originating from this program unit of the SBL was announced last year, but new and fuller information regarding it justifies repetition: The volume now has a title: Ancient Fiction: The Matrix of Early Christian and Jewish Narrative, to be published fall 2005 in the SBL's Symposium Series, which is designed to make the SBL's work available to a wider audience. The editors are Jo-Ann Brant, Judith B.Perkins, and Charles W. Hedrick. The volume will have a Preface by Gareth Schmeling, an Introduction by Richard I. Pervo, and fifteen articles distributed over three topics:

     Part I. Ancient Greco-Roman Narrative

• "The Educational Curriculum in Chariton's Callirhoe," by Ronald F. Hock 
• "Imitating Imitation: Virgil, Homer, and Acts 10:1-11:18," by Chris Shea 
• "Die Entführung in das Serail: Apspasia: A Female Aesop?" by Richard I. Pervo 
• "Novel and Mystery: Discourse, Myth and Society," by Gerhard van den Heever

     Part II. Jewish Narrative

• "Midrash as Fiction and Midrash as History: What Did the Rabbis Mean?" by Chaim Milikowsky 
• "Mimesis and Dramatic Art in Ezekiel the Tragedian's Exagoge," by Jo-Ann Brant 
• "Third Maccabees: An Anti-Dionysian Polemic," by Noah Hacham 
• "Third Maccabees: Historical Fictions and the Shaping of Jewish Identity in the Hellenistic Period," by Sara R. Johnson 
• "Humor and Paradox in the Characterization of Abraham in the Testament of Abraham," by Jared W. Ludlow

     Part III. Early Christian Narrative

• "Resurrection and Social Perspectives in the Apocryphal Acts of Peter and Acts of John," by Judith B. Perkins 
• "The Breasts of Hecuba and Those of the Daughters of Jerusalem: Luke's Transvaluation of a Famous Iliadic Scene," by Dennis R. MacDonald 
• "The Choral Crowds in the Tragedy according to St. Matthew," J. R. C. Cousland 
• "The Summaries of Acts 2, 4, and 5 and Utopian Literary Traditions," by Ruben Rene Dupertuis 
• "A Biography of a Motif: The Empty Tomb in the Gospels, the Greek Novels, and Shakespeare's Romeo and Juliet," by Andy Reimer 

Editions and Translations of Ancient Literature and a Comprehensive Bibliography of Secondary Literature will round out this volume.

Other books and articles of interest include:

Jo-Ann A. Brant, Dialogue and Drama: Elements of Greek Tragedy in the Fourth Gospel. Peabody, MA: Hendrickson Publishers, 2005.

Virginia Burrus, "Mimicking Virgins: Colonial Ambivalence and the Ancient Romance," Arethusa (forthcoming 2005).

Terence Donaldson, "Royal Sympathizers in Jewish Narrative," Journal for the Study of the Pseudepigrapha (forthcoming).

Christopher A. Frilingos, Spectacles of Empire: Monsters, Martyrs, and the Book of Revelation. Philadelphia: University of Pennsylvania Press, 2004.

Charles W. Hedrick, "Vestigial Scenes in John: Settings without Dramatization," Novum Testamentum (forthcoming 2005).

Sara Raup Johnson, Historical Fictions and Hellenistic Jewish Identity: Third Maccabees in its Cultural Context. Hellenistic Culture and Society 43; Berkeley: University of California Press, 2004.

Sara Raup Johnson, "Novelistic Elements in Esther: Persian or Hellenistic, Jewish or Greek," Catholic Biblical Quarterly (forthcoming 2005).

Scott Johnson, "In the Aftermath of the Greek Romance: 'The Life and Miracles of Thecla' as Mediator of the Ancient Genre," in Scott Johnson and James George, eds., Greek Literature in Late Antiquity, forthcoming from Ashgate in 2006.

Scott Johnson, The Life and Miracles of Thecla: A Literary Study. Cambridge: Harvard University Press, forthcoming 2006.

Judith Perkins, "Fictional Narratives and Social Critique," in Virginia Burrus, ed., Late Antique Christianity: A People's History of Christianity, Volume 2. Minneapolis: Fortress Press, forthcoming 2005.

Gerhard van den Heever, "The Graeco-Roman Mystery Religions: Part One. Theoretical Foundations and Ancient Fiction and Graeco-Roman Mystery Religions," and "Part Two. Social Discourse, Mystery Cults, and Fictional Worlds," Religion and Theology (forthcoming 2005).

Diane Wudel, "The Seduction of Self-Control: Hermas and the Problem of Desire," Religion and Theology 11 (2004) 39-49.

Finally, two papers:

Charles W. Hedrick, "Realism in Western Narrative in the Gospel of Mark: A Prolegomenon," presented at the 2005 Southwest and Central States Regional Meetings of the SBL.

Ronald F. Hock, "The Problem of Paul's Social Class: Further Reflections," presented at the 2004 Pacific Coast Regional Meeting of the SBL.

Baldwin, B., in PSN 34 (2004):  “I recalled George Orwell’s ‘Personally I would sooner give a child a copy of Petronius Arbiter than Peter Pan.’”  Now, a re-reading of his first novel, A Clergyman’s Daughter (1935), ch. 3, drew me to “the petty miser who will always, as the saying goes, take a farthing from a dunghill with his teeth.”  This obviously goes back to Satyricon 43.1, paratus fuit quandrantem de stercore mordicus tollere.  Did Orwell get it from the source, or via an English mediary?  I find no such expression in (e.g.) the Oxford Books for Proverbs and Quotations.

Nick Humez in Verbatim (28 April 2003, p. 19) makes reference to an unpublished monograph, Nausea in the Cena Trimalchionis, penned in 1966 at Rochester by his brother, Alexander.  (Baldwin)

Brütsch, M., and Fuhrer, T., “Annäherung an eine fremde Welt: Fellini-Satyricon im Spannungsfeld von klassischem Antikenfilm und literarischer Vorlange,” in Bewegte Antike.  Antike Themen im modernen Film (Stuttgart/Weimer: Metzler, 2002) 41-54.

Campus, Giovanni, “Federico Fellini: Fellini-Satyricon,” Il ragazzo selvaggio 39 (2003) 20-26.

Duroisin, P., “Les Matrones d’Éphèse de Georges Sion,” CEA 40 (2003) 59-70.

Endres, N., sends a holiday anecdote: “I spent Christmas and New Year’s in Germany.  During a walk on the Zeil, Frankfurt’s pedestrian mall and main shopping area, I came across a store called Satyricon: Leder + Fashion.  Out of curiosity I walked into the store and noticed brightly dressed salespeople, whose colors would have made Trimalchio proud; also the clientele seemed as sophisticated as Petronius’ freedmen.”

Endres, N., “Roman Fever: Petronius’ Satyricon and Gore Vidal’s The City and the Pillar,” abstract in AClass 46 (2003).

Flamarion, É., “Entre le théâtre de la Forie et pensée ‘libertine’: la Matrona d’Éphèse d’Antoine H. de la Motte (1702),” CEA 40 (2003) 15-32.

Harrison, S.J., “Two Victorian Versions of the Roman Novel,” in Metamorphic Reflections: Essays Presented to Ben Hijmans at his 75^th Birthday, eds., M. Zimmerman, R. van der Paardt (Leuven: Peeters, 2004) 265-277.

Hübner, W., “‘De Sénèque à Pétrone’: Uses of syncrisis in Europe from the 16^th to the 18^th Century,” CML 24 (2004) 39-60.

James, Clive, in a piece on Martin Amis, refers to him as “a post-punk Petronius.”  (Baldwin).

Lazard, M., “Brantôme, conteur de la Matrone d’Éphèse,” CEA 40 (2003) 7-13.

Martin, R., “De Phèdre à Pétrone et de Pétrone à La Fontaine: quelques variations sur un thème,” CEA 40 (2003) 33-45.

Pigeaud, J., “Sur quelques illustrations de l’épisode de la Matrone d’Éphèse,” CEA 40 (2003) 47-58.

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